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by Star C Foster Junior Staff Writer
During the introduction to Creatures from the Pink Lagoon,
director Chris Diani warned the audience that there "was no message"
and that we weren't going to "learn" anything, because Pink
Lagoon was just a good old-fashion "gay zombie movie." And it's
lovely when a movie delivers exactly what it promises.
As with all zombie films, gay or straight - Pink Lagoon
has the standard cast of characters: the naive good-hearted blond in a
sweater, the dumb jock, the bimbo, the nerd, the bad boy boyfriend,
the snide fellow who clearly made a wrong turn on his way to the
birthday party in Boys in the Band, the ethic minority, and
hideous flesh-eating monsters. Ok- so you might only find the bitchy
Boys in the Band guy in a gay zombie movie, but
otherwise all the old school zombie movie stereo types are there - and
Pink Lagoon embraces them. It embraces a number of gay stereo
types as well (never have I heard so many euphemisms for homosexuality
bandied about in my life). Which is brave, considering the fact that
everyone knows what embracing gets you in zombie movies: eaten by
zombies. But not to worry - it's all in good fun.
And in the end, that's what Creatures from the Pink Lagoon
is: good fun. It's a broadly painted, tongue in cheek revisiting
of the old-school monster movies - down to being shot in glorious
black and white. To give you an idea of the general tone of the film,
someone at the post show Q & A asked the director and producer if
they have considered promoting it with a Rocky Horror style
audience participation, which both the director and producer seemed to
seriously consider. And they should- this is the sort of movie that
type of treatment would be perfect for. Will it frighten you? Not a
chance. Will it make you laugh? If you don't take your zombie movies
(or yourself) too seriously. Will it get the jingle for Rest Stop 5
stuck in your head? Very likely. (Will it make you wonder how many
rest stops have their own jingle? Probably only if you're me, and you
tend to over think things a bit.)
Prior to Pink Lagoon - the festival ran an Ed Wood-worthy
sci-fi short entitled Mars Needs Bibles - wherein the
Baptists try to win the space race to be the Christian sect to discover
and make first contact with life on Mars - and then force their own
beliefs and morality on them. The short was amusing, and a good pairing
with Pink Lagoon - notable not only for its attention to
detail in its pursuit of bargain basement, 50's era special effects -
but also for the fact that
I believe the ending credits (a gangster-rap style video for the "Love
Theme to Mars Needs Bibles ") were probably as long as the
short itself.

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