

by Christopher Hyatt Junior Staff Writer
I'm not advocating the use of drugs, I'm just stating a fact that there are an
awful lot of folks out there who like watching their Dr. Who and Star Trek with
a little chemical enhancement. And now I'm pretty sure that one of those guys
has gone out and made a movie to capture that particular state of mind.
To put it another way -- try to imagine if Kenneth Anger had suddenly turned
aggressively heterosexual and decided to remake John Carpenter's Dark Star and
you might have some idea about the trip you sign on for when you check out
writer/director Jacques Boyreau's psychedelic slice of science fiction
cheesecake.
In the future, the human race is dying off and men's testicles are shrinking.
The last hope for humankind's survival are the crews of spaceships sent out to
find and impregnate suitable alien life forms. The crew of Rocket Leroy think
they may have found such life on a planet that seems to exist somewhere between
the Indiana Dunes and somebody's screensaver, and it's true: the planet is
crawling with babes.
The trouble is, the women are at war with each other and the leader of one side
has captured and brainwashed the captain. What does one do in such a situation?
Ther ship's robot suggests they call Candy Von Dewd, who will help everyone out
with her good vibes.
Candy Von Dewd is introduced to us during a particularly amusing dance sequence
wearing a costume so tight and skimpy that the top doesn't manage to completely
cover her breasts. But by the time she hooks up with the crew of Rocket Leroy
they're already pretty much doomed. Or just maybe she can help the survival of
the human race by getting a little friendly with one of the crew members.
My earlier comparison to Kenneth Anger wasn't just me being cheeky -- the
strange visuals, the loosely associative narrative structure, and the rampant
sexuality of Anger's strange films is echoed in Boyreau's campy, yet artful,
visual style. If nothing else, you have to walk away from this movie feeling
like you've watched someone's personal vision, a quality that is pretty rare in
movies these days. The plot may not be a tightly wound precision instrument,
but one can't help but notice the churning of a demented little mind running
through the movie, and that's a rare thing these days.
There are quite a few comparisons to Barbarella on the back cover of the video
box, but let me just say that this movie kicks Barbarella's ass so bad it just
isn't funny. (Though, to be fair, I should say that I've never been much of a
fan of Barbarella, so that bar is set kind of low for me.)
The movie is being released on dvd by Alpha, which means that the disc is dirt
cheap -- but unlike their public domain releases, the titles on Alpha New Cinema
have animated menus (generally I'd hate that if it were listed as a feature, but
on a 5.99 dvd it's a surprise to see) and the trailer for the movie along with a
few more of their catalog titles. The transfer is pretty clear, and I thought
it showcased the movie's visuals well. Again, at this price you're not
expecting a Criterion Collection level presentation, so the quality of the
transfer was also a decent surprise.
So once again, I'm not advocating the use of anything, but if you are one of
those that likes to hit the hookah before watching Tom Baker trip over his long
scarf, you just might want to slip Candy Von Dewd in your pipe and smoke it.

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