The films of H.G. Lewis have fallen into many categories among film fans. From so bad their good, to cinematic innovations, to just downright terrible movies. No matter how you look at 'em good or bad, it's undeniable, that this man invented, what is known today as the splatter film. He was an innovator, and with his pal producer David F. Friedman, changed cinematic history, forever.

Blood Feast tells the tale of Fuad Ramses, owner of a unique catering business. Fuad is contracted by Mrs. Fremont, to cater a unique meal for her daughters engagement party. What Mrs. Fremont doesn't know, is that Fuad, has been going around town, collecting body parts (inside and out) to perform an ancient ritualistic ceremony, of sorts. He intends to bring the long at rest goddess Ishtar back to life, and will use Mrs. Fremonts catered party to complete the task at hand.

Blood Feast is by no means a textbook example of how to make a film, or is it? Considering that Blood Feast was made in 1963, on an extremely limited budget (under $25,000) it's quite an achievement. Sure the sets are cheesy, the overacting is sometimes laughable, and there are numerous shadows from the horrid lighting. However, all things considered this film is a labor of love, and it shows. Lewis and Friedman wanted to do something that had never been done before, and at this they were successful (both artistically and financially). Blood Feast was a financial success, and paved the way for many more films between the two, including the two films that would complete the "Blood Trilogy" (Color Me Blood Red and Two Thousand Maniacs).

Something Weird, lovingly brings Blood Feast to DVD, in what I can say is the definitive edition of this camp classic. This film has never looked this good, and perhaps, it looks too good. Colors are so strong and vibrant, it's nothing short of a miracle. You can actually see the powder in the actors hair to give them that look of gray. In addition you can see the changes of the gradients of the gray from scene to scene (obviosuly shot at different times). Considering the age, budget and history of this film, no one could have ever expected it to look this good. There are a few signs of age on the print (specs/film dirt etc), but believe me when I say that this is the DVD to purchase.

As if the gorgeous transfer wasn't enough, the extras alone are worth the price of admission. For starters, we are treated to an audio commentary with both Friedman and Lewis that is both informative and entertaining at the same time. We are treated to nearly an hour of outtakes and raw footage (including more nudity for you pervs) set to music and dialogue from Lewis' films (the footage is silent). Things are rounded off with a trailer, and a 20 minute short subject Carving Magic. Carving Magic is an educational short on the proper way to carve everything from a porterhouse to a turkey. Seemingly innocent enough, the subject matter seems a bit more disturbing under these circumstances.

Overall, this disc is a must for Lews/Friedman fans. Horror fans of any sort also need to have this disc in their collection. There is no excuse for not owning it. Keep in mind, if you have a weak stomach, to keep a basin nearby. The red stuff is especially vibrant courtesy of the digital magic of DVD.