Piotr Trzaskalski's Mistriz (The Master) is a clumsy affair, but interestingly enough, remains a partially effective and entertaining film. The story of a Russian circus performer known as The Master (Konstantin Lavronenko), who takes his 'knife-throwing' act on the road once he's fired from his full time gig because of his drunken antics (primarily for letting animals out of a cage he then decides to take a nap in).

Traveling the countryside in his rundown bus, he stops to perform for townsfolk and tourists along the way. During this time on the road, The Master manages to pick up a few companions, including an accordion player named Mlody (Jacek Braciak) and a prostitute (who takes on the role of his assistant) named Angela (Teresa Branna). Their act quickly proves successful and The Master looks to refine the performance by adding some feats of magic as well.

The story hits a bump in the road when our trio sets up shop in a small town full of interested locals and an apparent booming tourist industry. It's here that The Master falls in love with a beautiful young lady named Anna (Monika Buchowiec) and while their relationship is sweet, it's wholly unbelievable. The true nature within each of these characters seeps out during their long days, while they each spend time performing nightly.

Practice Makes Perfect

Jacek Braciak & Konstantin Lavronenko star in Mistriz (The Master) (Photo courtesy of the Philadelphia Film Society)

At times endearing and mystical, The Master runs a bit slow, one of the films many shortcomings. Actions are not fully realized, and the events that take place are easily predictable. Characterization is almost paper thin, however, there is still something very special and captivating about them, despite their familiarity.

Lavronenko (or the Russian George Clooney as I like to call him) has tremendous screen presence. The female leads may serve (and serve well) for the purpose of eye candy (there's no denying that Branna and Buchowiec are stunning beauties), but Lavronenko commands the screen with his presence. For example, you need look no further than Lavronenko interacting with the children or his scenes with Braciak, especially towards the end of the film. It's moments like these that truly bring to light the full-unrealized potential of this film. But at the same time, helps to bring out and highlight its worth at the same time.

Thumbs Up But just barely for a predictable but charming film.