The Yin-Yang Master, directed by Yojiro Takita, is a throwback to the samurai epics of the 1960s, replete with magic, mysticism, outlandish costumes and opulent sets. The film follows the exploits of Abe no Seimei, the top Yin-Yang magician in the court of the Mikado. He is befriended by bungling swordsman Hiromasa, who enlists his aid to defend the emperor of the Heian throne. Meanwhile, chief Yin-Yang Master Doson is plotting the downfall of the emperor, attempting to frame Seimei in the process. What evolves is a battle of master magicians, rife with devil babies, demonic temptresses, crazy butterfly ladies (Mitsimushi is hot!) and the unlocking of ancient spirits hell-bent on revenge.

The performances are well done and suitably reserved; the rapport between Seimei and Hiromasa is particularly entertaining. The magic-fueled battles are fun to watch, and some impressive computer effects translate into cool-looking demons and spells. There is a giant battle towards the end, but it's hard to enjoy an all-archer melee. Show me some swords, fellas! The makeup lags behind the computer-generated stuff, unfortunately; one demon-woman looked pretty damn cheezy. The sets are great, however, and there are a few splendid vistas throughout the movie.

The Yin-Yang Master is not an action blockbuster or a buddy comedy starring Tom Hanks, so it may not be very palettable to a western audience. But I thoroughly enjoyed the film, and its emphasis on deliberate characterization and interpersonal exploration. With an open mind, The Yin-Yang Master is a quality viewing experience.

Thumbs up.